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  1. In the Poetics, Aristotle's famous study of Greek dramatic art, Aristotle (384-322 B.C.) compares tragedy to such other metrical forms as comedy and epic. He determines that tragedy, like all poetry, is a kind of imitation (mimesis), but adds that it has a serious purpose and uses direct action rather than narrative to achieve its ends.
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    In the Poetics, Aristotle's famous study of Greek dramatic art, Aristotle (384-322 B.C.) compares tragedy to such other metrical forms as comedy and epic. He determines that tragedy, like all poetry, is a kind of imitation (mimesis), but adds that it has a serious purpose and uses direct action rather than narrative to achieve its ends.
    www.cliffsnotes.com/literature/a/agamemnon-the-c…
    Tragedy is performed by actors, not by narration, and tragedy purifies the audience by eliciting in them the emotions of fear and pity in a process known as catharsis. Here, Aristotle gives a thorough definition of exactly what a tragedy is. A poem must have each of the features listed here—otherwise, it is not a tragedy.
    www.litcharts.com/lit/poetics/chapter-4-tragedy-defi…
    “Tragedy,” says Aristotle, “is an imitation [mimēsis] of an action that is serious, complete, and of a certain magnitude…through pity and fear effecting the proper purgation [catharsis] of these emotions.” Ambiguous means may be employed, Aristotle maintains in contrast to Plato, to a virtuous and purifying end.
    www.britannica.com/art/tragedy-literature/Theory-o…
    In particular, Aristotle focuses his discussion on tragedy, which uses dramatic, rather than narrative, form, and deals with agents who are better than us ourselves. Tragedy serves to arouse the emotions of pity and fear and to effect a katharsis (catharsis) of these emotions.
    www.sparknotes.com/philosophy/poetics/summary/
    Aristotle seems to treat tragedy and epic poetry as largely similar. They are both meant to be imitations of great deeds, noble heroes, and tragic suffering, the main difference being that tragedy conveys all this by means of action, while epic poetry does so by means of language alone.
    www.sparknotes.com/philosophy/poetics/section10/
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